Shadow Award 2019


I Need That Ride

by Amanda Chiado



by Fredric Koeppel


Lily 19

by Stuart Airey



If I Am Then I Must Be Now 

by Andrew Romanelli


How did you die

by Erin Kirsh


My father, bored as a parrot

by Julia Webb


The New Model

by Jennifer Lynn Krohn


Yard Sale

by Karen Mandell


He Smelled Like Grass

by Amanda Chiado



by J V Birch


Shadow Award 2019 has met its end.

Check back for contest results

at noon (PST) Friday, September 20th.

Slackers rejoice!

Procrastinator Special keeps late entries open
until September 14th.

“Nothing in the universe
can travel at the speed of light,
they say, forgetful of the shadow’s speed.”

– Howard Nemerov

Submit to the Shadow Award

It’s that time of year again. When we look beyond our typical hard focus on flash fiction and delve into poetry with our annual Shadow Award contest.

Despite this shift, this contest keeps in line with The Molotov Cocktail mission to serve as a projectile for the dark and offbeat, for the strange and surreal. We want vivid language that surprises and astounds us, words that flow with a rhythm that drags us down to the murky depths or sends us floating up into the ether. You can check out the poetry that caught our eye the last three years by clicking here (2018), here (2017), and here (2016).

Poets we tend to like are: Edgar Allan Poe, Allen Ginsberg, Joyce Carol Oates, Federico García Lorca, Pablo Neruda, James Tate, Charles Simic, Amy Gerstler, Tomas Tranströmer, Brigit Pegeen Kelly, Octavio Paz, Anna Journey, Nuala Ni Dhomhnaill, Aimee Nezhukumatathil and Sylvia Plath.

Don’t know their poetry? No sweat. They’re just jumping-off points. The possibilities for your poems are as boundless as the English language itself. Just keep them dark, offbeat, fantastic, or surreal and you’ll have a fighting chance.

Our associate editor, Mary Lenoir Bond, who holds an MFA in Poetry, will primarily judge the contest. Here’s some advice about what she’s looking for:

  • I enjoy free verse as much as anyone, but I also want to see some skill involved. Juxtaposition is a plus. I’d love to see some craft: use the magical tools of poetry. And this is Molotov, so it should be odd, have an edge. I don’t need a poem about your dog or cat, unless it eats people or can write a horror novel. Most of all, surprise me.
  • I have to admit, I’m often allergic to overly rhymed poetry, especially end rhymes, but I also don’t mind being proven wrong. Unintentional or subtle rhymes, or even slant rhymes, are often preferred—unless you are using a very specific formal structure that requires artful rhyming.
  • As the great poet Marvin Bell says, (and I’m paraphrasing): there’s no wrong way or right way to write a poem. There are, however, hundreds and hundreds of tools that can and should be utilized. Some poets have a real intuition for writing good poems, but even geniuses practice the craft regularly and incorporate skills. Bell also advises poets to “learn the rules of poetry, then break them, then make your own rules, and break those.” Experiment, play with form and meter. Have fun. Be weird.
  • Just like in any good writing, always avoid clichés, show don’t tell, and ground emotions with solid, unique imagery and description.
  • Combine the atmospheric elements from David Lynch, Ingmar Bergman and Federico Fellini films and your entry may very well rise to the top.

The top three entries will win cold, hard cash:

$200 for the Shadow Award winner

$100 for 2nd place

$50 for 3rd place

We also give mad respect to 4th-10th place, publishing them as Honorable Mentions in our Shadow Award mega-issue and also in our fifth annual print anthology, due out in the fall!

Submit to the Shadow Award

Follow these guidelines, and you could have some extra coin in your pocket, and some bragging rights as 2019 Shadow Award winner.

– Epic poems are best left to the masters. All poems must absolutely be no more than one page in length, but you may enter up to 2 poems per submission.

– All contest submissions will be read blind, so we won’t be playing favorites. Sorry, Mom.

– All poems must be submitted via Word document attachment (we want to preserve your formatting). One poem per page, maximum 2 pages/poems per entry. Do not list your name anywhere in your submission or we’ll assume that you don’t know how to read.

Early bird rate is $6 to enter (for 1-2 poems) and runs until July 25th, 2019. Costs $7 $9 to enter during the Procrastinator Special (for 1-2 poems). (Sorry, no refunds.)

– We reserve the right to extend deadlines if necessary (and you can probably expect our week-ish Procrastinator’s Special for you slackers).

– Submissions must be previously unpublished work, and upon acceptance we only obtain one-time electronic rights and one-time print rights for our anthology. You will retain copyright (duh). By submitting to this contest, you are agreeing to these terms.

– No limit on how many entries you can submit, but each entry is limited to 1-2 poems. Each poem will be considered on its individual merits, so a single two-poem entry could potentially yield two spots in our Top 10.

– Entries are accepted until 11:59pm (PST) on September 10th, 2019 September 14th, 2019 for the Procrastinator Special. Winners announced by September 20th, and we’ll unleash the Shadow Award prize-winners mega-issue shortly thereafter.

– And, most importantly, this is a poetry contest, therefore your entries must be poems. However, we are more than happy to consider prose poetry as long as it emphasizes vivid imagery and and isn’t simply a flash fiction piece. Language is more important to us than form in this contest. Remember, poetry is a condensed form of prose, so surprise us with language and you’ll be on the right track.

So that means you can go all…

or all…

or all…

or all…

or even all…

Submit to the Shadow Award

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